A faceless Madonna points toward her own chest, her gesture surviving even as the face dissolves into weathered stone. Feeling survives identity.

“The Cavalry: Studies at Calvary Cemetery” is an ongoing series of medium format photographs made at Calvary Cemetery in Queens, New York, on Ilford Delta 100 film.

The stone figures in these images, Madonnas, angels, pietàs, bear the chemical erosion of the industrial corridor surrounding Newtown Creek, where copper smelting plants operated for more than a century. Immigrant women and girls are buried throughout the cemetery; many were killed by the labor that employed them.

Each print is an extension of the larger Watered project.

Edition of 15

8.5 × 11 inches

2026

Hahnemühle Bright White Cotton Rag

Signed and numbered

Includes archival certificate